Aryan Khan Has This One Thing in Common With Shah Rukh Khan, Reveals Writer Bilal Siddiqui

Writer Bilal Siddiqui has revealed the striking similarity he noticed between Aryan Khan and Shah Rukh Khan while working on The Ba**ds of Bollywood*. According to him, both father and son share an intense work ethic and a strong hunger to create.

Aryan Khan's directorial debut The Ba**ds of Bollywood* has been receiving considerable attention ever since its release, and now writer Bilal Siddiqui has shared an interesting insight into the young filmmaker's working style.

In a recent conversation with India Today, Siddiqui revealed that he noticed one major similarity between Aryan Khan and Shah Rukh Khan while working on the Netflix series. According to the writer, both father and son have a remarkably strong work ethic and are willing to put in long hours to achieve what they want.

Siddiqui also spoke about Aryan's creative approach, his preparation before shooting and the kind of effort he put into the series.

Bilal Siddiqui Praises Aryan’s Work Ethic

According to Bilal Siddiqui, Aryan came into the project with a clear desire to create something of his own.

Aryan Khan

The writer recalled that Aryan had joined the project after completing film school and was extremely driven to make his own mark. Siddiqui said the young filmmaker had a distinctive voice and style, which could be seen in his work on The Ba**ds of Bollywood*.

What impressed him most, however, was Aryan's preparation. Siddiqui said he spent countless hours on set, worked on different options for scenes and dialogues, and conducted workshops with actors before shooting.

Aryan Khan: Key Details

Details Information
Name Aryan Khan
Father Shah Rukh Khan
Profession Filmmaker, Writer
Directorial Debut The Ba**ds of Bollywood*
Streaming Platform Netflix
Writer Bilal Siddiqui, Manav Chauhan and Aryan Khan
Production House Red Chillies Entertainment
Notable Quality Strong work ethic and creative drive
Current Project The Ba**ds of Bollywood*

“They Share a Similar Work Ethic”

The comparison between Aryan and Shah Rukh came naturally during the conversation.

Siddiqui said he found that both of them were capable of working late into the morning and then returning to work after only a few hours of sleep. For him, this was one of the clearest similarities between the father and son.

The writer also pointed out that Shah Rukh's approach to work demonstrates that there is no shortcut to achieving success, regardless of how established a person already is.

This observation also gives an insight into the kind of environment in which Aryan grew up professionally.

Aryan Wanted to Create His Own Voice

Being Shah Rukh Khan's son naturally means that Aryan entered filmmaking with enormous attention surrounding him.

However, Bilal Siddiqui believes Aryan has developed his own creative voice. He described the filmmaker as someone who came into the project with a strong desire to create something personal rather than simply relying on his family's legacy.

That distinction has become particularly important following the response to The Ba**ds of Bollywood*, which introduced audiences to Aryan's style behind the camera.

The Series Was Always Expected to Attract Attention

Siddiqui admitted that the team knew the series would generate considerable curiosity.

There were two obvious reasons: it was Aryan Khan's directorial debut and its story was set against the backdrop of the Hindi film industry.

The team was therefore prepared for intense scrutiny even before the show arrived on Netflix. According to Siddiqui, they were waiting to see what kind of response it would receive.

The fact that the response was largely positive made the entire team happy.

What Did Bilal Siddiqui Say About Bollywood Parallels?

One of the biggest talking points around The Ba**ds of Bollywood* has been the similarities viewers have noticed between its fictional characters and real people from the film industry.

Siddiqui, however, said many of the comparisons were not intentionally created by the writers.

He explained that he, Aryan and Manav Chauhan had sometimes been surprised by the parallels audiences discovered after watching the show. In some cases, viewers even connected small details, such as clothing colours, with real-life moments from Bollywood.

The Writers Did Not Intend to Confirm Real-Life Stories

Siddiqui also clarified that the show was not designed to confirm or deny specific stories about the Hindi film industry.

Instead, the writers took ideas and observations they already had about Bollywood and built an alternate reality around them.

The intention was to create a fictional story within the same world that audiences recognise, rather than present the series as a direct commentary on particular individuals.

That approach has nevertheless encouraged viewers to discuss possible references since the show's release.

The Positive Response Made the Team Happy

For the writers and makers, the response has been encouraging.

Siddiqui said that the team expected attention but was particularly pleased when much of that attention turned out to be positive. He credited the collective effort of everyone involved in making the series.

The discussion around the show has also continued beyond its release, with audiences debating characters, references and possible real-life inspirations.

What About Season 2?

Fans have naturally started wondering whether The Ba**ds of Bollywood* could return for another season.

Siddiqui did not reveal any concrete plans but indicated that the ending of Season 1 leaves room for the story to continue.

He explained that the season was written in a way that allows the narrative to move forward if the makers decide to continue it. However, he added that Netflix and Red Chillies Entertainment would be the ones to announce the show's future.

Aryan Khan’s Directorial Journey

For Aryan, the series represents a major transition from being known primarily as Shah Rukh Khan's son to establishing himself professionally as a filmmaker.

He chose to work behind the camera rather than pursue acting, and The Ba**ds of Bollywood* became his biggest step in that direction.

Bilal Siddiqui's comments suggest that Aryan approached the project with considerable seriousness. His preparation, involvement with actors and attention to different versions of scenes were all part of the filmmaking process.

A Work Ethic That Runs in the Family

The most interesting takeaway from Siddiqui's comments is not about fame or family connections but about the way Aryan approaches work.

According to the writer, the young filmmaker's willingness to work long hours and keep refining his material reminded him of Shah Rukh Khan.

For an actor who has spent decades building his career through relentless work, Shah Rukh's work ethic is well known. Siddiqui believes Aryan has inherited that same determination, even though he has chosen a very different path within the film industry.

As The Ba**ds of Bollywood* continues to generate conversation, Aryan Khan's next move behind the camera will be watched closely. For now, Bilal Siddiqui's observation gives audiences an interesting glimpse into the filmmaker's working style—and the one quality he appears to share most strongly with his superstar father.

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Gaurav Prabhakar
Gaurav Prabhakar

With over four years of experience in journalism and digital media, Gaurav Prabhakar is currently serving as the Editor-in-Chief at Bollywood Mascot. He is known for his expertise in news reporting, content writing, and editorial management, with a strong command over Hindi journalism and digital news publishing. Gaurav Prabhakar has consistently focused on delivering accurate, credible, and engaging news content for readers. His editorial approach combines authenticity with impactful storytelling, ensuring that audiences stay informed about the latest developments in the entertainment and media industry. With a deep understanding of digital journalism, he continues to contribute towards building informative and reader-focused content in an effective and professional style.

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