Javed Akhtar’s Critical Take and Unraveling of the Dangers in Contemporary Cinema and Music

Renowned lyricist Javed Akhtar recently took the stage at the Ajanta Ellora International Film Festival in Aurangabad, delivering a thought-provoking discourse on the current state of cinema and music. Unafraid to express his opinions, Akhtar highlighted the potential dangers posed by certain themes in films and songs, emphasizing the crucial role the audience plays in determining their success.

Javed Akhtar subtly critiqued a particular film without explicitly naming it, later revealed to be Sandeep Reddy Vanga’s ‘Animal.’ The lyricist expressed concern over the success of movies that depict unsettling scenes, such as a man asking a woman to lick his shoe. The reference to a super hit film raises questions about the impact such content may have on societal values. Akhtar’s commentary suggests a broader concern about the kind of narratives that are gaining popularity in contemporary cinema.

The mention of a man stating it’s acceptable to slap a woman draws parallels with Sandeep Reddy Vanga’s previous film, ‘Kabir Singh,’ starring Shahid Kapoor and Kiara Advani. Akhtar appears to connect the controversial scene in ‘Animal’ to the similar themes explored in ‘Kabir Singh,’ raising questions about the responsibility of filmmakers in portraying sensitive issues and the impact on their audience.

Javed Akhtar delved into the past, reflecting on the ’90s hit song ‘Choli Ke Peeche’ from the movie ‘Khal Nayak.’ Despite the controversy surrounding the lyrics penned by Anand Bakshi, the song became a massive success. Akhtar suggests that the problem lies not in the creation of such content but in the audience’s overwhelming approval. This raises a crucial question about the evolving taste and values of the audience, and their role in shaping the entertainment industry.

In a bold move, Javed Akhtar placed the onus on the audience for the success or failure of films and music. He urged the audience to take responsibility for the content they consume, emphasizing that their choices directly impact the kind of films that get made. Akhtar believes that the audience’s taste and preferences are instrumental in shaping the moral fabric of the entertainment industry.

Javed Akhtar’s critique serves as a wake-up call, challenging audiences to reflect on their role in shaping the narratives that gain popularity. His reference to controversial scenes in ‘Animal’ sparks a conversation about the ethical responsibility of filmmakers in portraying sensitive issues on screen. By not shying away from addressing uncomfortable themes, Akhtar opens a dialogue on the fine line between creative expression and societal impact.

The parallel drawn between ‘Animal’ and ‘Kabir Singh’ underscores a recurring trend in the industry, prompting discussions about the portrayal of toxic masculinity and violence against women. Akhtar’s concern resonates with those who believe that cinema should be a mirror reflecting society while also considering the potential influence on its audience.

Delving into the past, Akhtar’s analysis of ‘Choli Ke Peeche’ raises intriguing questions about the dynamics between artists and their audience. The success of the song despite its controversial nature highlights the paradox of popular culture. It forces us to ponder whether artists merely reflect societal norms or if their creations actively shape them.

Akhtar’s call for audience accountability is a noteworthy stance in an era where content consumption plays a pivotal role in dictating industry trends. By urging viewers to be discerning in their choices, he challenges the passive consumption of entertainment. The power dynamics between creators and consumers are evolving, and Akhtar’s words encourage a more active and conscious engagement with the content we choose to support.

In an age where social issues are increasingly discussed and debated, the responsibility of filmmakers and artists is under heightened scrutiny. Akhtar’s assertion that the audience holds the reins in determining the moral compass of the industry prompts a broader conversation about the impact of entertainment on societal values.

Javed Akhtar’s candid remarks at the Ajanta Ellora International Film Festival bring forth critical questions about the trajectory of contemporary cinema and music. His emphasis on audience responsibility challenges us to think beyond the screen and consider the ethical implications of the content we endorse. As we navigate the ever-evolving landscape of entertainment, Akhtar’s words serve as a reminder that our choices as viewers have the power to shape the narratives that define our cultural milieu.

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